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He understands that the end product is going to be converted to an MP3, and played out of the worst Android phone speakers. He knows that even though all the recording and production were done with a lot of high-end equipment like a $10,000 Sony C-800 microphone, into a $10,000 Neve preamp, into a $3,000 Tube-tech Compressor, then mixed with an SSL 4000G, $50,000 console mixing board ( and you don't really need that anymore these days). A seasoned engineer understands that he has to compete with a degraded mp3 version quality, and his mixes are being played on crappy iPhone speakers and laptops.ģ. When you listen to your favorite songs on the radio, Spotify and iTunes, you realize that your mixes always never come close.ġ. Record labels hire the best of the best mix engineers.Ģ. You have to understand that the modern production era requires a lot of processing for you to be able to compete with what is going on out there. Unfortunately, they do not work in this modern production era anymore. The reason why a lot of amateur engineers can’t get a really good vocal mixing sound is because a bunch of the stuff that we read online concerning mixing years ago don’t work.
FL STUDIO TAPE SATURATION HOW TO
HOW TO MAKE YOUR VOCAL SOUND PROFESSIONAL
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Request a new vocal recording with a better performance. iZotope Exciter, UAD SuderĪfter, you have done all these steps, if you listen and think your vocal still don’t sound professional, I’ ll recommend:ĭouble up on 1 or 2 of the steps above for more hyper processed sound, but use them in parallel to retain some dynamics. Plugins recommendations: Waves Kramer tape, Waves J37 Tape, Decapitator, Fabfilter Saturn. You may use tape saturation plugins, or transformer or tube saturation whichever you have available is fine.
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In this case, we are using Ableton Live Saturation plugin in analog mode. Saturation is adding slight form of distortion which creates pleasant-sounding harmonics. Warm up the sound and increase pleasant harmonics Reduce woof-ness and boxiness : 200Hz - 400Hz Remove plosives and rumbles: Low Cut / HP Pass Filter 85Hz - 150Hz (depending on the gender) Use a very narrow bandwidth, cut between 2db to 6db depending on the vocal. I would recommend: Be very gentle when you remove these frequencies. I would generally do a sweep around these spots to find any annoying frequencies that need to be taken out. Always check around 200Hz - 400Hz area, that’s where the boxiness lives.Īnd around 1kHz - 4KHz area for harsh and honky frequencies. I will give you some pointers and some frequencies to look for. Once we are done, we will move up to the next octave up. The first plug-in in the chain is a corrective EQ, and what we’re doing here is to remove any frequency that might be bugging us in the vocal.Īnd, also we are rolling off the low bottom frequency around 80Hz -150Hz, depending on the vocal, also depending on the gender. If this is a singing vocal, make sure you have a pitch correction done, and tune all the vocals, the vocal melodies and harmonies in tune with all the key of the song.Īll right let's get to the vocal mixing section. In the performance editing phase, you should fix any pitch or timing errors in your vocal recording. So after you’ve got all the editing done on your vocal recording, then we can start prepping the vocal for the mix. I'm sure you have read this in a many blogs out there but I just want to cover all the bases. Repair any damages, Use iZotope RX to repair clicks, clips, noise, and plosives too. If there are any room tones or annoying frequencies, use your EQ to notch them out. In the editing phase, you want to listen to the entirety of the vocal recording. Listen for pops, clicks, clips or any annoying frequency that may poke at you. If you're not in a good room, you may run the risk of recording all surrounding noises too.Īfter you've achieved a very good vocal recording, the next phase is editing. If you may record low but you want to be mindful of the room you are in. Record at decent gain level.ĭon't record a too hot signal nor a too low signal. The next thing to take note of is your gain staging.
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You may have an acoustic treatment which is rather expensive, but if you can't afford it, just make sure you have a room that is semi dead, not too reflective or echoey. Saturation - warm up the sound and increase pleasant harmonics The first step to getting a good vocal sound begins with a good vocal recording.Įnsure you record with a good microphone in a good room. Tonal Density Compression - create a more compactness in sound qualityħ. De-Esser - reduce and tame sibilance or harshnessĥ. Tonal Shaping EQ - bring out presence, midrange power, and airĤ. Dynamic Peak Compression - tame unruly peaks for more consistent vocalģ. Corrective EQ - remove annoying frequenciesĢ.